There is a bridge of a legend Sonny Rollins, where he says that he went at night to practice with the saxophone, in these long conversations with the music in his concerts offer, backed by colleagues superfine or in perfect solitude.
But I still alive the image of the man in black suit, "shaved like a monk", which takes the stage for three quarters of an hour without simply blowing a few notes below, the texture of Max Roach and a bass when I forget the name.
was 64 or 65, not played much jazz in Milan, and Sonny Rollins missing for some time, even from the international scene, so he left open all expectations, but no one was angry, that respect for an artist who is very simplistic to define.
addition, the sextet of Max Roach had worked wonders in the first part of music we had been, you could easily think up an honest lack of arguments, or the mood to expose them.
Work on Sonny Rollins I've always had in mind, I made several sketches, with this oil pastel is the most complete, maybe I'll make a painting.
Stretching and scraping and ristendeno the crayon, you get an effect of veiling and division together that should be studied and refined to give greater consistency to work, and you can influence color, too determined, crayons.
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