study the figure 
I did a few sessions of a nude, very few, but I like to paint the female figure, without denying the obvious eroticism that this brings. Not being able to afford to pay a model, and discarding the idea of \u200b\u200bworking with amateurs, which is likely to be embarrassing and distracting, work using photographs, anatomical plates and visual memory, sometimes I refer to important teachers, but rarely do I copy the image of the same, the picture is always the result of some idea in my head and face is not uncommon for several studies in pencil, watercolor, gouache, etc.., before carrying out the board to take on canvas, rcalcando or copying. But I'd be able to have an immediate freshness of Toulouse Lautrec, Renoir easy or joyful, or the elegance of Botticelli, the delicacy of Raphael, Rubens' flesh, and who knows what else. With these contacts, who may be filling a job alone, it is difficult to be fully satisfied with the result, and sometimes we try again, always daring to hope in one hundred and ten years, which could take me to create my work.
I did a few sessions of a nude, very few, but I like to paint the female figure, without denying the obvious eroticism that this brings. Not being able to afford to pay a model, and discarding the idea of \u200b\u200bworking with amateurs, which is likely to be embarrassing and distracting, work using photographs, anatomical plates and visual memory, sometimes I refer to important teachers, but rarely do I copy the image of the same, the picture is always the result of some idea in my head and face is not uncommon for several studies in pencil, watercolor, gouache, etc.., before carrying out the board to take on canvas, rcalcando or copying. But I'd be able to have an immediate freshness of Toulouse Lautrec, Renoir easy or joyful, or the elegance of Botticelli, the delicacy of Raphael, Rubens' flesh, and who knows what else. With these contacts, who may be filling a job alone, it is difficult to be fully satisfied with the result, and sometimes we try again, always daring to hope in one hundred and ten years, which could take me to create my work. 
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